This is the place where you can personalize your profile!
But, how?
By moving, adding and personalizing widgets.
You can drag and drop to rearrange.
You can edit widgets to customize them.
The left side has widgets you can add!
Some widgets you can only access when you get a premium membership.
Some widgets have options that are only available when you get a premium membership.
We've split the page into zones!
Certain widgets can only be added to certain zones.
"Why," you ask? Because we want profile pages to have freedom of customization, but also to have some consistency. This way, when anyone visits a deviant, they know they can always find the art in the top left, and personal info in the top right.
Don't forget, restraints can bring out the creativity in you!
Now go forth and astound us all with your devious profiles!
There was a time when all my art was in a hyper-realistic style, and I leaned heavilly towards pencils, ink, and charcoals. Obviously, that time has passed. I just got so very bored with it.
Somehow, I don't really remember how, but I was young and I think CLAMP might have been partly at fault --specifically, I think scans of RG Veda were at fault-- I started doing heavily stylized anime-esque work. The fact that I don't really work very well without some sort of model for inspiration led me quickly into fanart.
Frequently I hear this genre derided as either plagarism, or, at best, utterly non-creative. And I cannot deny that I envy people who can just sit down and put pencil to paper with nothing but their mind to guide them. Howsoever that may be, I do not and likely never will see how what I do differs substantively from working from life. The portrait artist is drawing what he sees before him.
Today I work almost exclusively in a combination of colored pencils and ink. I do no digital manipulation at all, except to remove grevious errors (ink blots, or the like), resize the image, and, in the case of any picture largely orange, touch up the color. My scanner hates orange.
Somehow, I don't really remember how, but I was young and I think CLAMP might have been partly at fault --specifically, I think scans of RG Veda were at fault-- I started doing heavily stylized anime-esque work. The fact that I don't really work very well without some sort of model for inspiration led me quickly into fanart.
Frequently I hear this genre derided as either plagarism, or, at best, utterly non-creative. And I cannot deny that I envy people who can just sit down and put pencil to paper with nothing but their mind to guide them. Howsoever that may be, I do not and likely never will see how what I do differs substantively from working from life. The portrait artist is drawing what he sees before him.
Today I work almost exclusively in a combination of colored pencils and ink. I do no digital manipulation at all, except to remove grevious errors (ink blots, or the like), resize the image, and, in the case of any picture largely orange, touch up the color. My scanner hates orange.
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